Participant in Terra in China 2016 ; artist-in-residence in Sanbao/Jingdezhen and exhibition in Tree Art Museum – Beijing
Genetic manipulation, fairytales, sweets and sugar are scenes which passed in review in recent years. She taps into them in an abundant and symbolic style, in which the dualism of good and evil always plays an important role. Ecstatic horns of plenty are formed by means of assembly. Attracted by the flight in a mystical world in which everything is possible, she creates artworks whose cheerful irony provide fierce criticism of modern-day consumerism.